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What The Heck Is Cross Harp? | |||||||||||||||||||||||||||||||||||||||||||||
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What The Heck Is
Cross Harp? Harmonicas come in 12 different keys- one for each 1/2 step in a standard chromatic octave. If you play the harmonica in the key that it is labeled, you are playing straight harp or first position. You would be using mostly blow notes. This is the position that most of the "folk" type music is played , as well as being best suited for playing melody lines. To play cross harp (second position) you are playing the harmonica in a key other than the key in which the harmonica is labeled, the key is five 1/2 steps down from the key of the harmonica. To play a C harp in cross, or second position, you will be playing in the key of G (count down from C - B, Bb, A, Ab, G) To do this you will be playing mostly draw notes. The draw 2 is a G, and the draw notes on 1,2,3 and 4 make up a G chord! (Simple , huh?) The main reason for doing this is that the draw notes can be bent for more expression and to get your "blue" notes (flatted third, fifth, and seventh) which are not naturally present on the harmonica for the key in which it is labeled. This is the position that is mostly used for blues, rock, and country. In these styles the harmonica is usually not playing the melody, but is used to add fills and riffs that compliment and add to the music. So using this example, and depending on the style of music being played, if the song is in the key of G, you could play a G harp in first position, or a C harp in second position and both would "sound right" with the music. Of course the C harp could be made to sound more "bluesy" than the G, and would work better on blues, etc. If you haven't figured it out yet, there are 12 "positions" that a harmonica can be played in, so it is "possible" to play in all keys on one harmonica, but it is difficult. Most people only learn first, second, and maybe third positions.
See the article below this one below for a good explanation
of all 12 positions How Do I Know Which Key Harmonica to Use? Here is a position chart that will tell you which harmonica to use for Cross Harp (Second Position) or Third Position. Just find the key of the song down the left hand column and read across for the harp to use for Second or Third position. If you don't know how to find the song key, you can find some hints here on how to use a pitch pipe to help find the song key.
F D Bb A Eb E Ab B Db F# Let's find 6th position. That's C (1) G (2) D (3) A (4) E (5) B (6). So B is 6th position. To figure the harmonica key, we do the same, except this time we go counterclockwise. To figure 2nd position in the (song) key of C, we count C (1) F (2). So if we want to play 2nd position in the key of C, we need an F harp. So briefly, if we know the harmonica key and want to figure out what key a certain position will be, we go clockwise; If we know the key of the SONG and want to figure which key HARP to use for a given position, go counterclockwise. Starting notes for positions on a Richter tuned diatonic harmonica (standard Marine Band type): (B=blow, D=draw, b= 1/2 step bend, bbb= 1 1/2 steps bend) 1 - 4B 2 - 6B 3 - 4D 4 - 6D 5 - 5B 6 - 7D 7 - 2Db 8 - 4Db 9 - 3Dbbb 10 - 8Bb 11 - 3Db 12 - 5D You'll notice that positions 7 thru 11 don't appear naturally (they require bending to get the root). Also, I don't refer to positions as "modes". If we play positions 1 thru 6 and 12 with no bent notes, they will come out in modes. But every position can be played in every mode with bending and either overblows or valved bends. Bends are done using the higher note in a given hole, which can be bent down to a semitone of the low note in that hole. Holes 1 thru 6 have draw bends. Holes 7 thru 10 have blow bends. Overblows use the low note, and change its pitch UPWARD to a semitone ABOVE the HIGH note in the hole. for example, on a C harp, hole 6 contains G and A. Overblowing the G, we end up with a Bb. Holes 1 thru 6 have blow overblows. Holes 7 thru 10 have draw overblows (usually referred to as overdraws). The method I use is to make my unbendable reeds bendable by valving the bendable reeds (1-6D and 7-10B). We usually can't bend 1-6B and 7-10D because these are the lower pitched reed in that hole. But if we install valves (AKA windsavers) on the bendable reeds, when we play the unbendable reed, the bendable reed is shut off, and we can bend the "other" reed as a single reed. (see Valving a Diatonic for instructions on doing this for yourself) -IronMan Mike Curtis "I am not just impressed, I am totally amazed... You had me completely speechless..." (review of web video by one of Europes top harmonicists) FREE on http://www.mp3.com/IronmanCurtis Order my CD-get a FREE vacation! http://www.bumpNgrindrecords.com |
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